Goldie

Clifford Price, better known as Goldie, has no confirmed Ibiza booking for 2026. The Walsall-born producer built his reputation off the island instead: Timeless (FFRR, 1995) reached number seven on the UK Albums Chart, ‘Inner City Life’ turned jungle into orchestral soul, and Metalheadz, the label he co-founded in 1994, still anchors drum and bass three decades on.

Clifford Price, better known as Goldie, has no confirmed Ibiza booking for 2026. The Walsall-born producer built his reputation off the island instead: Timeless (FFRR, 1995) reached number seven on the UK Albums Chart, ‘Inner City Life’ turned jungle into orchestral soul, and Metalheadz, the label he co-founded in 1994, still anchors drum and bass three decades on.

Metalheadz and the Sunday Sessions that built jungle’s home label

Goldie co-founded Metalheadz in 1994 with the DJ duo Kemistry and Storm, turning what began as a dubplate imprint for Reinforced Records into the label most identified with drum and bass as its own genre. Its first release paired Goldie with Doc Scott, and the skull-and-headphones logo he designed became the scene’s most recognisable mark. He has described the symbolism as ‘the skull symbolised the head, while the ’phones were music, because music will be here long after we’re all dead and gone.’

The label’s Sunday Sessions launched at London’s Blue Note in July 1995 and, in the words of its own history, ‘achieved legendary status,’ breaking artists including Photek, J Majik and Asylum. Goldie stepped back from day-to-day direction of Metalheadz in November 2019; the label marked its 30th anniversary with an international tour beginning in October 2023, run by the team he handed it to rather than by Goldie himself.

Kemistry did not see the label reach that scale: she died in April 1999, aged 35, when debris dislodged from the road ahead smashed through the windscreen of the car bringing her back from a gig in Southampton. Storm continued to DJ afterwards, folding tracks from their shared collection into her own sets, and Metalheadz has credited both women as co-founders alongside Goldie ever since.

Walsall, care homes and a UK number seven album

Clifford Joseph Price was born on 19 September 1965 in Walsall, of Jamaican and Scottish heritage. He was put up for adoption at the age of three and grew up between children’s homes and a series of foster placements, later writing in his memoirs, Nine Lives and 2017’s All Things Remembered, about the abuse he experienced in care. He found breakdancing and graffiti first, co-founding the Trans-Atlantic Federation crew and appearing in the 1988 Channel 4 documentary Bommin’ before he made a record.

Timeless, his debut album, was released on FFRR on 7 August 1995 and entered the UK Albums Chart in the week of 19 August, peaking at number seven and staying on the chart for 17 weeks in total. Its opening 21-minute suite, ‘Timeless: Inner City Life/Pressure/Jah,’ carried the single ‘Inner City Life,’ written with Rob Playford and sung by Diane Charlemagne; the single reached only number 49 on its first release in November 1994 but re-entered and peaked at number 39 in 1995 once the album had broken through.

The follow-up, Saturnz Return, came out on FFRR on 27 January 1998 and peaked lower, number 15, for four weeks only. Its centrepiece was ‘Mother,’ a 60-minute orchestral opener built around a 30-piece string section and child vocalists that dealt directly with his adoption and time in care; critics who found it overreaching at the time have mostly reversed that view since, Pitchfork scoring the 2019 reissue 8.6/10 against Spin’s original 6/10. David Bowie, Noel Gallagher and KRS-One all appear later on the record.

Bond henchman, gallery artist, and one contract with Ibiza

Goldie has acted since 1999, when he played Mr Bullion, nicknamed ‘The Bull’ for his gold teeth, the double-crossing heavy in the Bond film The World Is Not Enough. A part in Guy Ritchie’s Snatch followed in 2000, then a two-year run in EastEnders. He also returned to the visual art he’d started in as a graffiti writer, exhibiting Love Over Gold in London in 2007, not to be confused with an unrelated same-titled Scottish National Galleries show that ran in Glasgow in 2003–04.

His one documented connection to Ibiza before he ever DJed there was also a painting job: in 2008 he provided artwork for Pete Tong’s new Wonderland night at Eden in San Antoni, a collaboration that ran across the club’s three seasons. He didn’t play the island as a DJ in his own right until 2022, when he took a four-date Thursday slot at Octan in Playa d’en Bossa through August and made what Pikes called a ‘somewhat scandalous’ first appearance there that June, both bookings framed at the time as rare sightings of a drum and bass name on an island programmed almost entirely around house and techno.

Goldie was named MBE in the 2016 New Year Honours for services to music, having already been included among the BBC’s 60 ‘New Elizabethans’ in 2012, marking Britons whose actions had most shaped life during the Queen’s reign. He released the single ‘Jungle Daze,’ featuring jazz vocalist Natalie Williams, on 28 July 2026, trailed as the start of ‘a major new chapter’ with further material promised, though nothing Ibiza-specific has been announced alongside it.

Discography

YearReleaseLabel
1994Inner City LifeFFRR Records
1995TimelessFFRR Records
1998Saturnz ReturnFFRR Records
2017The Journey ManMetalheadz / Cooking Vinyl

What the night is actually like

There is no Goldie residency to plan a night around in 2026: Resident Advisor, Songkick and ticketsibiza.com show nothing booked on the island for him this season, and Ibiza Spotlight, the outlet that tracked his 2022 Ibiza run, has nothing newer listed either. What the catalogue offers instead is depth: Timeless and Saturnz Return both still stand up as records, not just historical curiosities, and the Metalheadz Sunday Sessions lineage is arguably a more useful reference point for a drum and bass night out than anything currently on Ibiza’s calendar.

If he does play the island again, the 2022 pattern is the one to watch: a short, clearly-billed run, four Thursdays at Octan, one Monday at Pikes, announced mid-season rather than sold as a summer-long booking. Anyone hoping to catch him should treat aggregator listings for Pikes, DC10 and Amnesia as the places a late addition would surface, rather than expect a Hï- or Ushuaïa-scale residency that his catalogue, however influential, has never had on this island.